Showing posts with label Chaucer. Show all posts
Showing posts with label Chaucer. Show all posts

Thursday, 3 June 2021

Nun's Priest's Tale

 Nun’s Priest’s Tale notes:



Elements from the poem:



  1. Sermon Reflection 

  2. mock-heroic 

  3. Comedy

  4. the dream, the dream stories and the debate on dreams 

  5. the themes 

  6. the tale 


Theme in Nun's Priest's Tale


1. The simple life and the plain diet. The Christian or religious attitude to poverty and wealth or action. Poverty has moral approval. Wealth is regarded as sinful. 

2. The medico-scientific view of dreams contrasted with the popular superstitious view. 

3. Reflection on murder or homicide. 

4. Man-woman relationship. 

  a. Woman is lnannes joye and his bliss

  b. Wommannes conseil brought us first to wo, And made Adam from Paradys to go 


5. Free Will and predetermination "symple necessity" and "necessitate condicional" 


6. Reflection on flattery and the role of courtier. 

7. Rhetoric-Geoffrey de Vinsauf s theory 

8. Destiny- inescapable Fortune- Sudden turns 

9. (a) Morals drawn Keep your eyes open and mouth shut 

    (b) "Taketh the fruyt, and lat the chaff be still" 



NPT is a dramatic tale. The action here is more verbal than non-verbal.


You can check out my YouTube videos on the same topic where I have explained everything in Hindi in detail. Links are below-

Block-1 Orientation For the Study of Poetry & The Medieval Poet Chaucer


More related and helpful links in the description box of my YouTube channel.

Age of Chaucer

 Age of Chaucer:


IGNOU MEG - Block 1: unit 1-4:          Chaucer


Topics covered -


Chaucer's time

Background

Names and Titles

Writing Period


The poetry of Chaucer and his contemporaries is best understood in the context of the transition in European society from declining feudalism to an emerging money control characterized by the rise of the middle classes. Because of the lucrative wool trade, agricultural land was being converted at many p1ace into pasture for rearing sheep. This required fewer farm-hands, giving rise to a gradual exodus of labor from country to town, from farming to the craft-guilds. Of course, such processes of social transformation do not take place abruptly: in the reign of Henry VIII, Thomas More continues to attack the 'enclosure' system, that is, the conversion of arable land into pasture. 

Age of Chaucer 14th century:


1-    100 years war 1337-1453 in France and England (116 yrs)

      War with France and Scotland brought honor to the English monarchy but drained the resources of the Crown. making the barons more powerful. 


2-    Black death 1348-49 bubonic plague 40-60% of England's population died

      The war, which had brought prosperity to various classes in England because of the

rich booty and high wages for soldiers, suffered a severe check from the Black Death

(1348-49), a deadly form of the highly infectious bubonic plague carried across v

Europe by black rats. Because of insanitary conditions, it affected towns more than

villages, and the poor died everywhere like flies.  until the late seventeenth century, when medical science improved and the black rat was driven out by the brown rat, which did not carry the disease. 

3-   Peasants revolt - 1381(May to November) Famine, social unrest


In 1381, more than half the people did not possess the privileges that had been guaranteed to every 'fireman' by the Magna Carta (1 2 15) in the reign of King John. The serf and the villein had the status of livestock in the master's household, although the above-mentioned factors had started to push them out of bondage to the comparative freedom of crafts in towns. In theory the laborers had an elected representative, the Reeve, supposedly to counterbalance the Steward or Bailiff. But as the wealth of the towns often drew away an absentee landlord, the Reeve as substitute became a feared enemy of the people, as in the portraits of Chaucer and Langland. The poor had to pay fines for. marriage or sending a son to school, and the inhuman heriot or mortuary tax exacted at the death-bed was responsible for much resentment. The immediate provocation for the revolt was the Poll Tax or head tax. The financial burden of the wars forced the government to ask Parliament to allow heavy taxes. But since such taxes usually affected the propertied classes which dominated Parliament, in 1380, taxes were levied on even the poorest. The sudden outbreak of rebellion under the leadership of Wat Tyler resulted in the peasants, accustomed to levies for French campaigns, attacking London, destroying property and putting the Archbishop of Canterbury on death.


During his time:


Corruption in church

Decline in Feudal System

Rise in national consciousness

 heavy tax, war, anarchy


Chaucer divided society in 3 estates:


1 The Knight

2 The Ecclesiastes (church)

3 The working man(third estate)



King’s and Chaucer:


Edward III     Chaucer was born

Richard II       Chaucer lived

Henry IV        Chaucer died




Background:


1343-1400, London, son of wine merchant, Wealthy family. Liberal education, Luxurious Courtly and well travelled life


Although not much is known of Chaucer's life, official records give us a good idea of his public career. He was born about 1343-44 to John and Agnes Chaucer in London. The name Chaucer (French 'Chaussier') suggests that they were a shoe-making family, but his immediate ancestors were prosperous wine-merchants with some standing at court. 


After some fluctuation of fortune, in 1389, when Richard I1 asserted his position, Chaucer was appointed Clerk of the King's Works, in charge of the upkeep of the royal buildings. When he lost his Clerkship he again went through financial uncertainties until the new King Henry IV gave him an annuity of 40 marks. But the poet died soon after, in 1400. 


A well travelled and well learned poet who was favoured by the government.


Names for Chaucer:


Father of middle age poetry, Luminous writer of verse poems, Greatest poet of the age, Morning star of renaissance, The well of English Undefiled, Father of English Literature and poetry. 


Bad: Lack of high seriousness, not a poet of the people, Prince of Plagiarists.


Introduced Heroic Couplets in Eng Lit.  First poet to be buried in Poets corner.


3 periods of Chaucer: [In details about the stories and about in unit 4, block 1 of Orientation…]


1- French(1370-800


  -Translation of roman de la rosa

-Book of Duchess

-ABC- A prayer to virgin


2- Italian  (1380-86)


-Influenced by Boccacio(majorly) and partly b Petrarch. Wrote 4 books:

  1. The house of fame

  2. The parliament of fowls

  3. Troilus and Criseyde (Longest Complete poem)

  4. The legend of good Women(first book on heroic couplet, Incomplete)


3- English(1387-1400)


Without rejecting the French and Italian elements, Chaucer enters his 'English' period with Troilus and Criseyde and The Canterbury Tales.


Chaucer’s Comic vision:


Subtle Irony: he sometimes directly ridicules social evils and vicious characters, Chaucer:? satire is rarely venomous. In fact, he is more of an ironist than a satirist, engaged in somewhat detached a 1 d amused observation of the gap between the ideal and the actual in human affairs, Irony As a mode is particularly appropriate to the transitional world in which Chaucer found himself



Because of the condition of orality, Middle English was not standardised, as modern English is, but an assortment of dialects. : Language: Late Middle English of the South East Midland type.


Block 1: unit  4and 5:    Canterbury Tales: Prologue 



It has been suggested that the general device of a series of tales within an enclosing narrative was borrowed by Chaucer from Boccaccio's Decameron. But the enclosing frame was only too common not only in medieval and classical Europe but in other parts of the world.



  Rhyme scheme


blank verse or Pope's heroic couplets: the iambic pentameter consisting of five feet, each foot .made up of an unstressed (x) and a stressed syllable (/): 



 While in modern English the . the final e in words such as 'name,' 'veine,' and 'ende' is silent, in Chaucer's London, the situation was fluid. At times Chaucer retains the pronunciation of the final e ('Rome' can rhyme with 'to me') and at times he does not. The general rule is that the final e ought to be pronounced except where the next word the line begins with a vowel or an h. It will also be pronounced in the last word of a line and when a word ending in e in the singular is made plural (as in 'listes' or 'lokkes').


You can check out my YouTube videos on the same topic where I have explained everything in Hindi in detail. Links are below-


The General Prologue to the Canterbury Tales

he General Prologue to the Canterbury Tales:

Topics covered-

About the poem
Order of the Tales
Words and meanings
The characters in the poem
Links to the videos

IGNOU MEG-1 Block-1 Unit-5 Chaucer decided to Write 120 tales but he was able to finish only 24 out of which only 20 were complete. 22 tales in verse form 2 tales in prose form [Parson’s and Melibee] Total 17000 lines in the poem. Written in Middle English 13 Years to finish [ 1387 to 1400] Order of the tales: The plan of the tales was probably adopted soon after 1386, and Chaucer's Poetry The Medieval Poet Chaucer. the General Prologue composed in 1387. Chaucer may have himself taken part in a pilgrimage in April of that year because of the illness of his wife, Philippe, who probably died soon after. Instead of the original plan of 120,tales, only 24 are told, of which two are interrupted before the end and two broken off soon after they begin. The group of pilgrims includes a wide cross-section of English society: a knight and a squire (his son), professional men like the doctor and the lawyer, a merchant, a shipman, various representatives of the religious orders like the prioress, the monk, the friar, the parson, a substantial farmer, a miller, a reeve, a cook, several craftsmen, and so on. The General Prologue does not have a real source. Individual portraits of priests or peasants or knights abound in medieval literature and personified abstractions in religious and secular allegories are quite common. We also come across descriptions of the different orders of society and the use of physical and temperamental characteristics to classify men and women. But they are so vividly imagined and individualised that scholars have searched for real life parallels or sources. Small but closely observed details and peculiarities of dress, physiognomy, speech and so on make the portraits come alive. But Chaucer's pilgrims are equally representative of social groups and professions-these figures are generalised through typical features of character and conduct: the gentle knight, the corrupt Friar, the hypocritical Pardoner. Even their dress, appearance and physiognomy have a typical quality. In a large number of cases, the pilgrim described in the General Prologue relates a tale in keeping with his character and calling. When the pilgrims have gone a short distance out of London, Harry Bailey asks them to draw lots. Whether by sheer luck or manipulation, 1 The lot falls to the knight, [socially the noblest in the group] [brave lovers and their story] 2 The Monk 3 the drunken Miller [breaks in and tells an indecent tale about a carpenter.] 4 Reeve, being a carpenter himself, takes revenge by relating an equally scurrilous story about a miller. [Thus, in the first three tales we are introduced to a basic technique of Chaucer's mature poetry and perhaps Gothic art in general: the courtly and the bourgeois, romance and realism, the serious and the light are juxtaposed.] 5 After a quarrel between the Friar and 6 the Summoner, [they tell stories defaming each other's calling.] [The comic device of cutting short a boring story is particularly useful when the 'tragedies' of the Monk's tale become tedious.] 7 the Clerk's tale 8 the Merchant's fabliau [about an old man who marries a young wife and is shamefully deceived by her.] 9 The Clerk's Tale 10 the Franklin's Tale Gender and class are subtly related in the entire group and indeed in the Tales, defiant energy and appetite being associated with the rising middle -classes. 11 Squire's Tale. 12 The Physician's Tale 13 The Wife of Bath 's Tale is a folk -tale, 14 The Pardoner's Tale 15 The Parson 's Tale and 16 Chaucer's own Melibeus in prose. 17 The Nun's Priest's Tale [is a memorable example of the *beast -fable, the story of Chauntecleer and Pertelote.] [ Chaucer's idea of the pilgrimage as a narrative framework enables him to bring together the widest possible cross -section of medieval society. What binds this 'sundry folk,' this motley crowd is what gives unity to heterogeneous variety: the pilgrimage easily relates the material with the spiritual, the mundane with the religious. It also gives the Tales a dramatic power, especially ii.1 the comments, exchanges and jibes that enact ongoing social relationships in a microcosm. Of course, the secular and clerical aristocracy is left out as they would not have mingled with Chaucer's company; similarly, the real poor are excluded as they would not be able to go on such a pilgrimage. Fragment VIII contains: 18 The Second Nun 's Tale 19 The Canon's Yeoman [canon is a member of clergy in church] [tells a contemporary anecdote of an alchemist trickster (possibly the Canon himself). l'he Yeoman and his master had overtaken the pilgrims after a mad gallop, but as soon as the Canon feared exposure in the tale, he ran away.] In Fragment IX: 20 The Manciple's Prologue and Tale. 21 The Parson 's 'Prologue and Tale and 22 Chaucer's Retraction. [The Parson delivers a long prose discourse on the Seven Deadly Sins. This is followed by Chaucer's repudiation of all his writings on the vanity of romantic love, sparing only his religious and philosophical work.] General Prologue to Canterbury Tales The General Prologue begins with a memorable description of Spring. The immediate reason for this is that only with the return of mild weather after winter could people go on a pilgrimage. People in Chaucer's time passed winter inside dark, draughty, badly heated, smoky huts living on salted beef, smoked bacon, dried peas, beans, last year's wheat or rye and so on. The shortage of fish food resulted in diseases like scurvy in winter. Thus when the April showers made the grass grow again, both cattle and men were delighted at the prospect of fresh food and recovery of health. The sweet showers revive Nature and by implication human nature; the underlying motif is of resurrection or spiritual renewal. The pilgrims come from all corners of England to visit the shrine of St. Thomas ii Becket who was martyred in the Canterbury cathedral in 1170. Words and Meanings: (line by line) Line 15: Shire - Country Line 85: Chyachie - Cavalry ( घुड़सवार सेना) Line 89: Meade - Beverage of honey and Malt Line 101: Yeoman- Guard/attendant in a noble house Line 117: Forester - Skilled in Planting and managing trees Line 104: Sheaf - Bundle Line 141: Reverence: श्रद्धा Line 151: Wimple Head Scarf of Nuns Line 167: Abbot-Man who heads the abbey of Monks Line 169: Bridle - headgear to control horse Line 190: Greyhounds: Hunting dogs Line 208: Wantowne - Pleasure loving Line 209: Solemn - Sincere Line 240: tavernes - Public house for travelers Line 242: Lazar - A person suffering with a disease especially leprosy Line 255 : Farthing - old currency, coins Line 331: Frankelyn - Land Owners Line 336: Epicurus - Epicurus was a hedonist. [what is pleasurable is morally good and what is painful is morally evil.] Line 349: Partridges - A type of bird Line 361: Haberdasshere - retail dealer in men’s accessories-ties,hat, gloves,socks Line 372 : Alderman - next to the mayor Line 406 : Tempest - Violent windy storm Line 425 : Apothecary - person who prepared and sold medicines and drugs. Line 426: Electuary - Sweet medicine with honey Line 429 : Aesculapius - Roman God of medicine (Coiled snake sign) Line 486: Tithe: 1/10th of annual income to the church Line 508 : Mire - Swampy/boggy ground Line 521 : Obstinate - Stubborn Line 545: Miller - Who works in a mill Line 569: Victuals - Food or Provision Line 544: Manciple - A person who is incharge of buying food or provision Line 587: Reeve - Chief magistrate of a town Line 587: Choleric - Bad tempered Line 643: Jay - A person talking foolish stuff Line 650 concubine - mistress Line 658: Archdeacon’s Hell - Punishment to the purse instead of the soul Line 664: Diocese - District under the care of Bishop Line 685: Vernycle - A herbaceous plant Line 710 : Offertory - Offering at a religious service Characters in the poem : Total Characters in The Canterbury Tales: 29 Pilgrims 1 Narrator (Chaucer) 1 Host (Harry Bailey) Order of the tales: The plan of the tales was probably adopted soon after 1386, and Chaucer's Poetry The Medieval Poet Chaucer. the General Prologue composed in 1387. Chaucer may have himself taken part in a pilgrimage in April of that year because of the illness of his wife, Philippe, who probably died soon after. Instead of the original plan of 120,tales, only 24 are told, of which two are interrupted before the end and two broken off soon after they begin. The group of pilgrims includes a wide cross-section of English society: a knight and a squire (his son), professional men like the doctor and the lawyer, a merchant, a shipman, various representatives of the religious orders like the prioress, the monk, the friar, the parson, a substantial farmer, a miller, a reeve, a cook, several craftsmen, and so on. The General Prologue does not have a real source. Individual portraits of priests or peasants or knights abound in medieval literature and personified abstractions in religious and secular allegories are quite common. We also come across descriptions of the different orders of society and the use of physical and temperamental characteristics to classify men and women. But they are so vividly imagined and individualised that scholars have searched for real life parallels or sources. Small but closely observed details and peculiarities of dress, physiognomy, speech and so on make the portraits come alive. But Chaucer's pilgrims are equally representative of social groups and professions-these figures are generalised through typical features of character and conduct: the gentle knight, the corrupt Friar, the hypocritical Pardoner. Even their dress, appearance and physiognomy have a typical quality. In a large number of cases, the pilgrim described in the General Prologue relates a tale in keeping with his character and calling. When the pilgrims have gone a short distance out of London, Harry Bailey asks them to draw lots. Whether by sheer luck or manipulation, 1 The lot falls to the knight, [socially the noblest in the group] [brave lovers and their story] 2 The Monk 3 the drunken Miller [breaks in and tells an indecent tale about a carpenter.] 4 Reeve, being a carpenter himself, takes revenge by relating an equally scurrilous story about a miller. [Thus, in the first three tales we are introduced to a basic technique of Chaucer's mature poetry and perhaps Gothic art in general: the courtly and the bourgeois, romance and realism, the serious and the light are juxtaposed.] 5 After a quarrel between the Friar and 6 the Summoner, [they tell stories defaming each other's calling.] [The comic device of cutting short a boring story is particularly useful when the 'tragedies' of the Monk's tale become tedious.] 7 the Clerk's tale 8 the Merchant's fabliau [about an old man who marries a young wife and is shamefully deceived by her.] 9 The Squire's Tale 10 the Franklin's Tale Gender and class are subtly related in the entire group and indeed in the Tales, defiant energy and appetite being associated with the rising middle -classes. 11 Squire's Tale. 12 The Physician's Tale 13 The Wife of Bath 's Tale is a folk -tale, 14 The Pardoner's Tale 15 The Parson 's Tale and 16 Chaucer's own Melibeus in prose. 17 The Nun's Priest's Tale [is a memorable example of the *beast -fable, the story of Chauntecleer and Pertelote.] [ Chaucer's idea of the pilgrimage as a narrative framework enables him to bring together the widest possible cross -section of medieval society. What binds this 'sundry folk,' this motley crowd is what gives unity to heterogeneous variety: the pilgrimage easily relates the material with the spiritual, the mundane with the religious. It also gives the Tales a dramatic power, especially ii.1 the comments, exchanges and jibes that enact ongoing social relationships in a microcosm. Of course, the secular and clerical aristocracy is left out as they would not have mingled with Chaucer's company; similarly, the real poor are excluded as they would not be able to go on such a pilgrimage. Fragment VIII contains: 18 The Second Nun 's Tale 19 The Canon's Yeoman [canon is a member of clergy in church] [tells a contemporary anecdote of an alchemist trickster (possibly the Canon himself). l'he Yeoman and his master had overtaken the pilgrims after a mad gallop, but as soon as the Canon feared exposure in the tale, he ran away.] In Fragment IX: 20 The Manciple's Prologue and Tale. 21 The Parson 's 'Prologue and Tale and 22 Chaucer's Retraction. [The Parson delivers a long prose discourse on the Seven Deadly Sins. This is followed by Chaucer's repudiation of all his writings on the vanity of romantic love, sparing only his religious and philosophical work.] General Prologue to Canterbury Tales The General Prologue begins with a memorable description of Spring. The immediate reason for this is that only with the return of mild weather after winter could people go on a pilgrimage. People in Chaucer's time passed winter inside dark, draughty, badly heated, smoky huts living on salted beef, smoked bacon, dried peas, beans, last year's wheat or rye and so on. The shortage of fish food resulted in diseases like scurvy in winter. Thus when the April showers made the grass grow again, both cattle and men were delighted at the prospect of fresh food and recovery of health. The sweet showers revive Nature and by implication human nature; the underlying motif is of resurrection or spiritual renewal. The pilgrims come from all corners of England to visit the shrine of St. Thomas ii Becket who was martyred in the Canterbury cathedral in 1170. Characters in the poem : Total Characters in The Canterbury Tales: 29 Pilgrims 1 Narrator (Chaucer) 1 Host (Harry Bailey) Total - 31 Characters and their Description: KNIGHT - Brave fighter, Blood stained clothes, Warrior, World traveler, Highest rank, Valiant, Chivalrous, Old, Doesn’t Boast(humble), Loyal to the king, Loves religion. SQUIRE - Son of the knight, fashionable, ladies man, lusty, singing songs and poetry, horse rider, contrast to his father, boastful. YEOMAN - Helper of the Knight, skilled, dressed in green, carries a longbow. PRIORESS - Nun, Saint with fashionable clothes, More about manners, food and clothes than praying, Has a Gold Brooch which says- Love Conquers All (in latin), delicate, well bred, mannerly. She is accompanied by another NUN and THREE PRIESTS. MONK - Loves to hunt, Is not religious at all, owns horses and hunting dogs, hypocrite, fat, jolly, bald, foodie, careless. Friar - Hubert - Begs, multiple marriages, sexual, licensed to beg, irreligious, plays with people’s pity. MERCHANT - He is in debt, shrewd, arrogant, boastful, all about profit, involved in illegal activities related to foreign exchange. CLERK OF OXENFORD - Book lover, less in the worldly life, always keen to learn and teach SERGEANT AT LAW - Respected by everyone, takes decision for courts, well traveled, famous, rich, full of excellence and unrestricted possessions, good with drafting legal documents, FRANKLIN - [Land owner] Foodie - Wine and meat, different type of food all the time, bread and wine in breakfast, red face and blood humour [ HABERDASHER - Seller of men’s accessories CARPENTER - WEAVER - DYER - TAPESTRY MAKER - ] All 5 of them are rich and luxury lovers COOK - who has an open sore on his shin. A very good cook SHIPMAN - thief, might also be a pirate, no moral values DOCTOR OF PHYSICS - Sleep lover, kind, intelligent, love for gold, saved income from black deaths, depends on astrology WIFE OF BATH - Alison - married 5 times, refused to be dominated by men, sexually demanding, dressed like a rich whore, wide tooth apart, deaf PARSON - True priest, ideal holy man. PLOWMAN - Parson’s brother, honest, holy man MILLER - Very strong and well built, knows how to buy good ration and always in profit and steal MANCIPLE - Clever than lawyers, bought victuals on cash or credit, had more than 30 masters, had a lot of money to be able to live without working for the rest of his life. REEVE - It is a post where he is supposed to be working for people but became a feared enemy of them. Very lean, Choleric man, always clean shaved, perfect in his work that no one can catch him, knows how to please his lord. Knows woodcraft SUMMONER - Church’s administration worker, Face has some kind of skin disease, will talk only in Latin and rubbish ones he is drunk, Would do anything for wine, Archdeacon's curse PARDONER - Church worker, sells pig bones in a jar, fooling people, goat voice, seller of papal, greedy, hypocrite, might be a eunuch or homosexual, sewed a veronica to his hat, thinks he is very fashionable, doesn’t have a beard and will never have, holds relics like pig bones and pins and sells them to poor people for their two months hard earned money, can read very well



You can check out my YouTube videos on the same topic where I have explained everything in Hindi in detail. Links are below-


More related and helpful links in the description box of my YouTube channel.