IGNOU MEG 2 British Drama Previous year question paper
IGNOU MEG 2 British Drama Previous year question paper
MEG-2 No. of Printed Pages : 3
r's.1 MASTER'S DEGREE PROGRAMME IN
ENGLISH
0 Term-End Examination
June, 2011
MEG-2 : BRITISH DRAMA
Time : 3 hours Maximum Marks : 100
Note : Answer Question no. 1, which is compulsory and any
four from the remaining questions. All questions carry
equal marks.
1. Annotate any four of the following passages with
reference to content , in not more than 150 words
each. 4x5=20
(a) Such was Pythagoras' thigh, Pandora's tub
And all the fable of media's charms.
The manner of our work;
(b) I hit a blow on the ridge of his skull laid him
stretched out, and he split to the knob of his
gullet.
MEG-2 1 P.T.O.
(c) I keep looking back, as far as I remember
and I can't think what it was to, feel young,
really young.
(d) To die, to sleep;
To sleep : perchance to dream; ay, there is
the rub.
(e) Homo fuge! Within should I fly ?
If unto God, he'll throw me down to hell'.
2. Critically examine the elements of Aristolehiss 20
tragedy in Elizabethan drama (400 words)
OR
Discuss the nature of the four temptations that
Beckett confronts in Murder in the Cathedral (400
words)
3. Critically analyse Hamlet as a revenge play (400 20
words)
OR
What is Romantic comedy ? How did
Shakespeare alter the romantic comedy formula
in A Midsummer Night's dream ?
4. "Doctor Faustus is a Tragedy of the Renaissance 20
and Reformation comment (400 words).
OR
Analyse the structure of The Alchemist (400 words)
MEG-2 2
5. Examine The Playboy of the Western World as an 20
"extravagant comedy" (400 words)
OR
Comment on the title of the play Look Back in
Anger (400 words)
6. How does Shaw attack social snobbery and class 20
difference in Pygmalion ? (400 words)
OR
Outline the changes that Lucky and Pozzo
undergo during the course of the play Waiting for
Godot (400 words)
7. Write short notes on any two of the following is
not more than 200 words each :
(a) Chorus in Murder in the Cathedral
(b) Pegcen Mike
(c) Fairies in A Midsummer Night's Dream
(d) The cheats in The Alchemist
2x10=20
MEG-2 3
I MEG-2 I No. of Printed Pages : 2
•■r
00
(NI
O
MASTER'S DEGREE PROGRAMME IN
ENGLISH
Term-End Examination
December, 2011
MEG-2 : BRITISH DRAMA
Time : 3 hours Maximum Marks : 100
Note : Answer Question no. 1, which is compulsory and any
four from the remaining questions. All questions carry
equal marks.
1. Annotate any four of the following passages with
reference to context, in not more than 150 words
4 each : x5=20
(a) This soul should fly from me,
And I be changed into some brutish beast.
(b) Well, you're the walking playboy of the
Western World, and that's the poor man yciu
had divided to his breeches belt.
(c) My words fly up, my thought remain below.
Words without never to heaven go.
(d) Woman upset everything. When you let
them into your life, you find that the woman
is driving at one thing and you're driving at
another.
(e) It is not in time that my death shall be
known ? It out of time that my dicision is
taken.
MEG-2 1 P.T.O.
2. Examine the tradition of the English Morality play. 20
OR
Analyse the idea of Martyrdom in murder in the
cathedral.
3. Discuss the "grand quarell scene" between 20
Hermia and Helena in A Midsummer Night's
Dream.
OR
Outline the major themes in Hamlet's soliloquise.
4. Do you agree with the idea that Doctor Faustus is 20
a study in the duality of Christian faith ?
OR
Comment on the use of alchemy in the Alchemist
5. Discuss the Playboy of the Western World as a dark 20
comedy.
OR
Analyse the Jimmy - Alison relationship in Look
Back in anges.
6. Discuss Doolilttle's criticism of middle class 20
morality in Pygmalion.
OR
Critically examine the structures of Waiting for
Godot.
7. Write short notes on any two of the following in
not more than 200 words each :
(a) Romantic Comedy
(b) Shawn Keogh
(c) Osric
(d) Lucky
2x10=20
MEG-2 2
No. of Printed Pages : 5 MEG-2
MASTER'S DEGREE PROGRAMME IN
ENGLISH
Term-End Examination 09931
June, 2012
MEG-2 : BRITISH DRAMA
Time : 3 hours Maximum Marks : 100
Note : Answer Question no. 1, which is compulsory and any
four from the remaining questions. All questions carry
equal marks.
1. Annotate any four of the following passages with
reference to the context in not more than
150 words each : 4x5=20
(a) Let Faustus live in hell
a thousand years,
A hundred thousand and
at last be saved !
0, no end is limited to
damned souls !
Why wert thou not a
creature wanting soul ?
Or why is this immortal
that thou hast ?
1 P.T.O. MEG-2 •
(b) To be , or not to be , that is
the question
Whether 'tis nobler in the
mind to suffer
The Slings and arrows of
outrageous fortune,
Or to take up arms against
a sea of troubles,
And by opposing , end them.
To die , to sleep -
No more.
(c) What a miracle she is ? Set
all the eyes
Of court a - fire , like a burning glass,
And work 'em into cinders ;
when the jewels
Of twenty states adorn thee,
and the light
Strike out the stars; and that ,
when thy name is mentioned,
Queens may look pale :
(d) From this out I'll have
no want of company when all
sorts is bringing me their
food and clothing ( he swaggers
MEG-2 2
to the door , tightening his belt ),
the way they'd set their eyes
upon a gallant orphan cleft
his father with one blow to the
breeches belt.
(e) There's hardly a moment
when I'm not - watching
and wanting you . I've got
to hit out somehow . Nearly
four years of being in the
same room with you , night
and day , and I still
can't stop my sweat break -
ing out when I see you
doing -- something as ordinary
as leaning over an ironing
board.
2. Discuss critically the modernity of Elizabethan 20
tragedy. (400 words)
OR
How did Shakespeare alter the Romantic
Comedy formula in A Midsummer Night's
Dream ? (400 words)
MEG-2 3
3. Dr. Fanstus stands for the Renaissance man ? Is 20
this a fair assessment of his character ?
(400 words)
OR
It is through Subtle that Ben Jonson has exposed
and satirized the cheats and swindlers who
flourished in his age. ( 400 words )
4. Bring out the full significance of the play within 20
play in Hamlet. (400 words)
OR
Make a critical assessment of Jimmy - Alison
relationship in Look Back In Anger.
(400 words)
5. Examine critically The Play boy of the Western 20
World as a Dark Comedy. (400 words)
6. Examine the interaction of the two tramps, 20
Estragon and Vladimir, in waiting for Godot.
(400 words)
OR
Is Shaw's Verbal humour only funny, or is it also
instructive ? Illustrate your answer with examples
from Pygmalion. (400 words)
MEG-2 4 P.T.O.
7. Write short notes on any two of the following
in 200 words each : 2x10=20
(a) Martyrdom in Murder in the Cathedral
(b) Renaissance spirit in Elizabethan comedy
(c) Lucky in waiting for Godot
(d) Helen in Dr. Faustus
MEG-2 5
No. of Printed Pages : 4 MEG-2
MASTER'S DEGREE PROGRAMME IN
ENGLISH
Term-End Examination
December, 2012
MEG-2 : BRITISH DRAMA
Time : 3 hours Maximum Marks : 100
Note : Answer Question no. 1, which is compulsory and any
four from the remaining questions. All questions carry
equal marks.
1. Annotate any four of the following passages with
reference to the context, is not more than
150 words each : 4x5=20
(a) --- a s imagination bodies forth
The forms of things unknown, the poet's pen
Turns them to shapes, and gives to aery
nothing
A local habitation and name.
(b) Give me that man
that is not passion's slave, and I will wear
him
In my heart's core, ay in my heart of heart,
As I do thee--
MEG-2 1 P.T.O.
(c) I am a young beginner, and am building
Of a new shop, and it like your worship;
just,
At corner of a street.
(Here's the plot on't)
And I would know by art,
sir, of your worship,
Which way I should make my door, by
neeromancy,
And, where my selves. And, which
should be for boxes.
And, which for pots.
(d) I rage and shout my head off, and every one
thinks = poor chap!" or = What an
objectionable young man?" But that girl
there can twist your arms off with her
silence ---
I want to be there when you groved. I want
to be there, I want to watch it. I want the
front seat.
(e) Vladimir : Charming evening we are
having.
Estragon : Unforgettable
Vladimir : And it's not over.
Estragon : Apparently not. --
Estragon : It's awful.
Vladimir : Worse than mine.
Estragon : The circus.
MEG-2 2
2. Comment on the senecan influence over the 20
Elizabethan tragedy. (400 words)
OR
Bring out the role of the fairies in A Mid Summer
Night's Dream. (400 words)
3. Examine the Renaissance and Reformation 20
strains in Dr. Faustus. (400 words)
OR
The tragedy of Hamlet is the tragedy of a man
obsessed with melancholy. Examine it critically.
(400 words)
4. What makes the Alchemist so popular among 20
theatre groups both in the Elizabethan and the
Modern age. (400 words)
OR
Examine the playboy of the Western world as an
extravagant comedy and bildungsroman.
(400 words)
OR
Bring out the element of misogyny in Look Back In
Anger. (400 words)
5. What is so unique about the structure of Waiting 20
for Godot ? Illustrate from the text. (400 words)
OR
Bring out the role that the chorus plays in
Murder in the Cathedral. (400 words)
MEG-2 3 P.T.O.
6. Was Bernard Shaw a romantic? Is the element of 20
romance in. the play in harmony with the
ideology of Pygmalion ? (400 words)
OR
Discuss, the unity of time, place and action in
Elizabethan comedy. (400 words)
7. Write short notes on any two of the following
in not more than 200 words each : 2x10=20
(a) Horatio in Hamlet
(b) Significance of dream. A Midsummer Night's
Dream.
(c) The Angry young men
(d) The theatre of the Absurd
MEG-2 4
No. of Printed Pages : 3 MEG-2
MASTER'S DEGREE PROGRAMME IN
O ENGLISH
0\
O Term-End Examination
June, 2013
MEG-2 : BRITISH DRAMA
Time : 3 hours Maximum Marks : 100
Note : Answer Question No. 1, which is compulsory and any
four from the remaining questions. All questions carry
equal marks.
1. Annotate any four of the following passages with
reference to context in not more than 150 words
each : 4x5=20
(a) Her lips suck forth my soul:
See where it flies !
Come, Helen, come, give me
my soul again.
(b) Your vows to her and me,
put in two scales,
will even weigh; and both as
light as tales.
(c) There is a ship now, coming
from Ormus,
That shall yield him such a
commodity
of drugs - This is the west, and
this the south ?
MEG-2 1 P.T.O.
(d) If then last nature in thee
bear it not,
Let not the royal bed of
Denmark bell
Adien, adien, adien, remember me.
(e) Nearly four years of being in the same room
with you, night and day, and I still can't
stop my sweat breaking out when I see you
doing something as ordinary as
leaning over an ironing board.
2. Discuss the main features of Elizabethan tragedy. 20
(400 words)
OR
Critically examine Ben Jonson's comedy of
Humours (400 words)
3. Analyse the structure of Hamlet. (400 words) 20
OR
How does Jonson produce the illusion of reality
with respect to alchemy ? (400 words)
4. Do you think tragic irresolution is the strength of 20
Doctor Faustus ? (400 words)
OR
How did Shakespeare alter the Romantic Comedy
formula in A Midsummer Nights Dream ?
(400 words)
MEG-2 2
5. Comment on themes and issues that show raises 20
in Pygmalion ? (400 words)
OR
Comment on the title, The Playboy of the Western
World. (400 words)
6. Discuss Waiting for Godot as an existentialist play. 20
(400 words)
OR
Comment on Becket's silence after the fourth
temptation in Murder in the Cathedral.
(400 words)
7. Write short notes on any two of the following
(200 words each) 2x10=20
(a) Chorus in Murder in the Cathedral
(b) Theatre of Realism
(c) Eliza
(d) Angry young man
MEG-2 3
MEG-02 No. of Printed Pages : 3
MASTER'S DEGREE PROGRAMME IN
ENGLISH
Term-End Examination
December, 2013
MEG-2 : BRITISH DRAMA
Time : 3 hours Maximum Marks : 100
Note : Answer Question No. 1, which is compulsory, and any
four from the remaining questions. All questions carry
equal marks.
1. Annotate any four of the following poems/
passages with reference to the context in not more
than 150 words : 4x5=20
(a) My words fly up, my
thoughts remain below :
words without thoughts never
to heaven go.
(b) Helen, whose beauty caused
Troy to burn, will do
the same for faustus ; the
immortality offered by
the kisses of a demon lover is an
eternity in hell.
(c) A woman who utters such depressing and
disgusting sounds has no right to be
anywhere - no right to live
MEG-2 1 P.T.O.
(d) Was not all the knowledge of the Egyptians
writ in mystic symbols ?
Speak not the scripture oft
in parallels ?
(e) " and I not knowing at all there was
the like of you drawing nearer, like the stars
of God."
2. Examine the role of the Renaissance in the growth 20
of Elizabethan drama (400 words)
OR
Analyse the basic plot of romantic comedy
(400 words).
3. Describe critically "To be, or not to be" in the 20
context of Shakespeare's Hamlet (400 words).
OR
What aspects of Jacobean society have been
depicted in Jonson's The Alchemist ? (400 words).
4. Analyse the role of Mephistophilis in Doctor 20
Faustus (400 words).
OR
Discuss the significance of the pastoral in A
Midsummer Nights Dream. (400 words)
5. Discuss critically the Alison-Jimmy relationship 20
in Look Back in Anger. (400 words)
OR
Discuss the comic conventions in Pygmalion
(400 words).
MEG-2 2
6. Analyse the structure of Waiting for Godot 20
(400 words).
OR
What is the role played by the Chorus in Murder
in the Cathedral ? (400 words)
7. Write short notes on any two of the following :
(200 words each) 2x10=20
(a) Lucky
(b) Miracle Plays
(c) Pegeen
(d) Prick
MEG-2 3
No. of Printed Pages : 4 2838 MEG-02
MASTER'S DEGREE PROGRAMME IN ENGLISH
Term-End Examination
June, 2014
MEG-02 : BRITISH DRAMA
Time : 3 hours Maximum Marks : 100
Note : Answer Question no. 1, which is compulsory and any four
from the remaining questions. All questions carry equal marks.
1. Critically comment on any four of the following 4x5=20
passages with reference to context, in not more
than 150 words each:
(a) His faith is great; I cannot touch his soul;
But what I may afflict his body with I will
attempt, which is but little worth.
(b) Why should you think that I should woo in
scorn?
Scorn and derision never come in tears.
Look when I vow, I weep; and vows-so born,
In their nativity all truth appears.
MEG-02 1 P.T.O.
(c) To be, or not to be, that is the question:
Whether' tis nobler in the mind to suffer
The slings and arrows of outrageous fortune,
Or to take arms against a sea of troubles,
And by opposing, end them.
(d) I'm only a common ignorant girl:
and in my station I have to be careful.
There can't be any feelings between the like
of you and the like of me.
(e) 0, what else, sir?
And that you'll make her royal with the stone,
And empress; and yourself king of Bantam.
2. "The Alchemist" is a satire on human follies 20
and foibles." Discuss,
OR.
Discuss 'Doctor Faustus' as essentially a
Renaissance tragedy.
MEG-02 2 P.T.O.
3. The chorus in Murder in the cathedral, 20
reflects the growth in Thomas Becket.
Discuss.
OR.
What is the significance of 'dream' in the title
of the play A Midsummer Night's Dream?
4. Discuss 'Hamlet' as a tragedy. 20
OR.
Discuss The Play boy of the Western World
as a folk play.
5. Does Shaw's use of myth contribute to the 20
enrichment of Pygmalion? Justify your
answer.
OR.
Discuss Samuel Becketts Waiting for Godot
as a tragicomedy.
MEG-02 3 P.T.O.
6. What is your understanding of the concept 20
of the 'angry young man' in the play Look
Back in Anger? Explain.
OR.
Critically examine the role of Renaissance
in the growth of the Elizabethan Drama.
7. Write short notes on any two of the following 2x10=20
in not more than 200 words each:
(a) Claudius.
(b) Bottom
(c) Eliza
(d) The Theatre of the Absurd
***
MEG-02 4 P.T.O.
MEG-2 No. of Printed Pages : 3
MASTER'S DEGREE PROGRAMME IN
ENGLISH
Term-End Examination
December, 2014
MEG-2 : BRITISH DRAMA
Time : 3 hours Maximum Marks : 100
Note : Answer question no. 1, which is compulsory and
any four from the remaining questions. All
questions carry equal marks.
1. Critically comment on any four of the following
passages with reference to context, in not more
than 150 words each : 4 x5=20
(a) I hit a blow on the ridge of his skull, laid
him stretched out, and he split to the knob
of his gullet.
(b) Have you not done tormenting me with
your accursed time ! ... One day, is that not
enough for you, one day he went dumb, ...
one day we were born, one day we shall die,
the same day, the same second ...
(c) 0 God,
If thou wilt not have mercy on my soul
Yet, for Christ's sake, whose blood hath
ransom'd me
Impose some end to my incessant pain.
Car- .1r- 1=1 *al
MEG-2 1 P.T.O.
(d) Such an act
That blurs the grace and blush of modesty,
Calls virtue hypocrite, takes off the rose
From the fair forehead of innocent love
And sets the blister there.
(e) You do advance your cunning more and more.
When truth kills truth, 0 devilish-holy fray !
These vows are Hermia's: will you give her o'er ?
Weigh oath with oath, and you will nothing
weigh.
2. Write a note on Comedy of Humours with special
reference to Ben Jonson's The Alchemist. 20
OR
Attempt a critical appreciation of Doctor Faustus
as dramatic poetry.
3. Delineate the nature of the four temptations that
Becket undergoes in the play Murder in the
Cathedral. 20
OR
What are the common points between the main
play and the Mechanicals' play in Shakespeare's
A Midsummer Night's Dream ?
4. Write a critical note on Hamlet's attitude
towards Claudius in the play Hamlet. 20
OR
Write an essay on imagery in J.M. Synge's
The Playboy of the Western World.
MEG-2 2
5. How does Shaw denounce social snobbery and
class distinctions in his play Pygmalion ? 20
OR
Discuss Samuel Beckett's Waiting for Godot as an
Existentialist play.
6. Give a brief character-sketch of Jimmy in
Osborne's Look Back in Anger. 20
OR
Discuss the salient features of the mature
Elizabethan tragedy.
7. Write short notes on any two of the following in
not more than 200 words each : 2 x10=20
(a) Beatrice
(b) Subtle
(c) Higgins
(d) Eliot's views on Poetic Drama
MEG-2 3 17,000
MEG-21 No. of Printed Pages : 4
MASTER'S DEGREE PROGRAMME. IN
ENGLISH
Term-End Examination
June, 2015
MEG-2 : BRITISH DRAMA
Time : 3 hours Maximum Marks : 100
Note : Answer question no. 1, which is compulsory and
any four from the remaining questions. All
questions carry equal marks.
1. Annotate any four of the following passages with
reference to the context, in not more than 150
words each : 4 x 5=20
(a) Now, Faustus, must thou needs be damned ?
And canst thou not be sav'd.
What boots it then to think of God or heaven ?
Away with such fancies, and despair;
Despair in God, and trust in Belzebub.
(b) Such an act
That blurs the grace and blush of modesty,
Calls virtue hypocrite, takes off the rose
From the fair forehead of innocent love
And sets the blister there, make marriage vows
As false as dicers' oaths - 0, such a deed ...
MEG-2 1 P.T.O.
(c) From this out I'll have no want of company
when all sorts is bringing me their food
and clothing (he swaggers to the door,
tightening his belt), the way they'd set
their eyes upon a gallant orphan cleft his
father with one blow to the breeches belt.
(d) It is not in time that my death shall be known;
It is out of time that my decision is taken
If you call that a decision
To which my whole being gives entire consent.
I give my life
To the law of God above the law of Man.
(e) But, you see, I was the only one who cared. His
family were embarrassed by the whole business.
Embarrassed and irritated ... We, all of us
waited for him to die ... Every time I sat on the
edge of his bed, to listen to him talking or
reading to me, I had to fight back my tears. At
the end of twelve months, I was a veteran ... you
see, I learnt at an early age what it was to be
angry — angry and helpless. And I can never
forget it. I knew more about — love ... betrayal
... and death, when I was ten years old than you
will probably know all your life.
MEG-2 2
2. Bring out the interplay of the Renaissance and
Reformation strain in Elizabethan tragedy.
(450 words) 20
OR
What is the basic plot of Romantic Comedy ? Why
does it end in feasting and dancing ? (450 words)
3. Bring out the enormous significance of the
soliloquies in Hamlet. (450 words) 20
OR
Discuss The Alchemist as a classical tragedy in
which unities of time, place and action are strictly
followed. (450 words)
4. Make a critical assessment of Jimmy - Alison
relationship from a feminist perspective.
(450 words) 20
OR
Examine The Playboy of the Western World as an
extravagant comedy and bildungsroman.
(450 words)
5. Bring out the full significance of the title Waiting
for Godot. (450 words) 20
OR
How is Pygmalion, an early 20th century play set
in England meaningful to you in India at the end
of the millenium ? (450 words)
MEG-2 3 P.T.O.
6. What is the role of the chorus in Murder in the
Cathedral ? (450 words) 20
OR
Discuss the gender issues in A Midsummer
Night's Dream. List the many instances of
Shakespeare's sympathy for women in the play.
(450 words)
7. Write short notes on any two of the
following : 2x10=20
(a) Dr. Faustus as the tragedy of a
Renaissance man
(b) Lucky in Waiting for Godot
(c) Gertrude in Hamlet
(d) Prof. Higgins in Pygmalion
MEG-2 4 16,000
No. of Printed Pages : 4 I MEG-2
MASTER'S DEGREE PROGRAMME IN
ENGLISH
Term-End Examination
_J I_ December, 2015
MEG-2 : BRITISH DRAMA
Time : 3 hours Maximum Marks : 100
Note : Answer question no. 1, which is compulsory and
any four from the remaining questions. All
questions carry equal marks.
1. Annotate any four of the following passages with
reference to the context, in not more than 150
words each : 4x5=20
(a) Sweet Helen, make me immortal with a kiss.
Her lips suck forth my soul: see, where it flies !
Come, Helen, come, give me my soul again.
Here will I dwell, for heaven is in these lips,
And all is dross that is not Helena !
(b) We'll put on those shall praise your excellence
And set a double varnish on the fame
The Frenchman gave you; bring you, in fine,
together,
And wager o'er your heads: he, being remiss,
Most generous and free from all contriving,
Will not peruse the foils; ...
MEG-2 1 P.T.O.
(c) The children of perdition are, oft-times
Made instruments even of the greatest works.
Beside, we should give somewhat to man's nature,
The place he lives in, still about the fire,
And fume of metals, that intoxicate
The brain of man, and make him prone to passion.
(d) But when it comes to business, to the life
that she really leads as distinguished from
the life of dreams and fancies, she likes
Freddy and she likes the Colonel; and she
does not like Higgins and Mr. Doolittle.
Galatea never does quite like Pygmalion: his
relation to her is too godlike to be altogether
agreeable.
(e) Why, why, why, why do we let these women
bleed us to death ? Have you ever had a
letter, and on it is franked 'Please Give
Your Blood Generously' ? Well, the
Postmaster-General does that, on behalf of
all the women of the world ... There aren't
any good, brave causes left ... No, there's
nothing left for it, me boy, but to let yourself
be butchered by the women.
MEG-2 2
2. Discuss the features of revenge tragedy in
Elizabethan England. (450 words) 20
OR
How is a Romantic comedy different from a
comedy of humours ? (450 words)
3. Bring out the nature of tragic conflict of Faustus.
(450 words) 20
OR
The tragedy of Hamlet is the tragedy of
irresolution and inaction. Do you agree with the
assessment ? (450 words)
4. What role does Subtle play in Ben Jonson's The
Alchemist ? (450 words) 20
OR
Dreams play an important role in A Midsummer
Night's Dream. Discuss with reference to the
play. (450 words)
5. The Playboy of the Western World is neither
a comedy nor a tragedy. Discuss critically.
(450 words) 20
OR
What is your understanding of the concept of the
"angry young man" and its implications in the
context of Look Back in Anger ? (450 words)
MEG-2 3 P.T.O.
6. What is so commendable about the structure of
Waiting for Godot ? Illustrate with reference to
the text. (450 words) 20
OR
Attempt a feminist reading of the chorus in
Murder in the Cathedral. (450 words)
7. Write short notes on any two of the
following : 2x10=20
(a) Use of myth in Pygmalion
(b) The agony of Dr. Faustus
(c) Puck in Midsummer Night's Dream
(d) Lucky in Waiting For Godot
MEG-2 4 19,000
No. of Printed Pages : 3 MEG-21
MASTER'S DEGREE PROGRAMME IN
ENGLISH
Term-End Examination
June, 2016
MEG-2 : BRITISH DRAMA
Time : 3 hours Maximum Marks : 100
Note : Answer question no. 1, which is compulsory and
any four from the remaining questions. All
questions carry equal marks.
1. Annotate any four of the following passages with
reference to the context, in not more than
150 words each : 4x5=20
(a) 0, my offence is rank, it smells to heaven,
It hath the primal eldest curse upon't,
A brother's murder !
(b) When I behold the heavens, then I repent,
And curse thee, wicked Mephistophilis,
Because thou halt depriv'd me of those joys.
(c) Why should you think that
I should woo in scorn ?
Scorn and derision never come in tears.
MEG-2 1 P.T.O.
(d) I hit a blow on the ridge of his skull, laid him
stretched out, and he split to the knob of his
gullet.
(e) Was not all the knowledge
Of the Egyptians writ in mystic symbols ?
Speak not the Scriptures oft in parables ?
2. Discuss the aspects of Jacobean society reflected
in Jonson's plays. 20
OR
Discuss The Alchemist as a satirical comedy.
3. Critically examine Dr. Faustus as a Renaissance
Tragedy. 20
OR
Discuss the role played by the Mechanicsls,
especially Bottom, in A Midsummer Night's
Dream.
4. Examine Hamlet as a revenge play. 20
OR
Discuss Hamlet as a Shakespearean tragic hero.
5. Do you think Shaw's Pygmalion is critical of
social snobbery and class distinctions ? Give a
reasoned answer. 20
OR
Examine The Playboy of the Western World as a
folk play.
MEG-2
6. What changes do Pozzo and Lucky undergo in the
course of Waiting for Godot ? 20
OR
What is the significance of the fourth temptation
in Murder in the Cathedral ?
7. Write short notes on any two of the
following : (200 words each) 2x10=20
(a) Freddy
(b) Estragon
(c) Alison
(d) Ophelia
MEG-2 3 21,000
No. of Printed Pages : 3 I MEG-21
MASTER'S DEGREE PROGRAMME IN
ENGLISH
Term-End Examination
" 1 9 64 December, 2016
MEG-2 : BRITISH DRAMA
Time : 3 hours Maximum Marks : 100
Note : Answer question no. 1, which is compulsory and
any four from the remaining questions. All
questions carry equal marks.
1. Annotate any four of the following passages with
reference to the context, in not more than
150 words each : 4x5=20
(a) List, list, 0 list !
If thou didst ever thy
dear father love ...
Revenge his foul and most
unnatural murder ...
(b) I keep looking back, as far as
I remember, and I can't think
What it was to feel young,
really young.
MEG-2 1 P.T.O.
(c) They know and do not know,
what it is to act or suffer
They know and do not know,
that action is suffering
And suffering is action.
(d) Our youth and strength with
drinking the elixir,
And so enjoy a perpetuity
of life and lust.
(e) Thou traitor, Faustus, I arrest thy soul,
For disobedience to my sovereign Lord.
2. Discuss T.S. Eliot's views on poetic drama. 20
OR
Discuss the basic plot of Romantic Comedy with
reference to A Midsummer Night's Dream.
3. Critically analyze Hamlet's soliloquies in the
play. 20
OR
What is the role played by the swindlers and the
Dupes in The Alchemist ?
MEG-2 2
4. "Homo, fuge : Whither should I fly ?" Analyze
Dr. Faustus in the context of this statement. 20
OR
Comment on the Titania-Oberon plot in
A Midsummer Night's Dream.
5. What do you understand by the angry young
man' in the context of Look Back in Anger ? 20
OR
What according to Shaw are the social
implications of the different modes of English
speech ?
6. In Waiting for Godot, the irrationality of human
experience is transferred to the stage. Comment. 20
OR
Critically analyze the role of the chorus in
Murder in the Cathedral.
7. Write short notes on any two of the
following (200 words each) : 2x10=20
(a) Bottom
(b) Christy
(c) Osric
(d) Time in Waiting for Godot
MEG-2 3 24,000
I MEG-2 No. of Printed Pages : 3
MASTER'S DEGREE PROGRAMME IN
ENGLISH
7:306
Term-End Examination
June, 2017
MEG-2 : BRITISH DRAMA
Time : 3 hours Maximum Marks : 100
A rote : Answer question no. 1, which is compulsory.
Attempt any four of the remaining questions. All
questions carry equal marks.
1. Critically comment on any four of the following
pal3sages with reference to the context, in not
more than 150 words each : 4x5=20
(a) 0, my offence is rank, it smells to heaven,
It had the primal eldest curse upon't
A brother's murder ! Pray can I not.
':'hough inclination be as sharp as will.
(b) Galatea never does quite like Pygmalion :
relation to her is too godlike to be
alt( )gether agreeable.
(c) Wha t boots it then to think of God or heaven ?
Away with such fancies and despair;
Despair in God, and trust in Beelzebub ...
Abjure this magic, turn to God again.
MEG-2 1 P.T.O.
(d) Astride of a grave and a difficult birth.
Down in the hole, lingeringly, the
gravedigger puts on the forceps. We have
time to grow old. The air is full of our
cries. But habit is a great deadener.
(e) Thou speak'st aright
I am the merry wanderer of the night.
I jest to Oberon, and make him smile
When I a fat and bean-fed horse beguile,
Neighing in likeness of a filly foal
And sometimes lurk I in a gossip's bowl.
2. Discuss The Alchemist as a comedy of character
and event. 20
OR
Examine Doctor Faustus as a tragedy of neu rosis
and relate it to the predicament of contemporary
man.
3. Critically examine the role of the chorus in Eliot's
Murder in the Cathedral. 20
OR
Critically examine the significance of dreams in
A Midsummer Night's Dream.
MEG-2 2
4. Discuss Hamlet as a revenge tragedy. 20
OR
Discuss The Playboy of the Western World as a
bildungsroman that portrays the development of
the central character.
5. "Pygmalion hinges on the contrast of characters."
Critically comment. 20
OR
"Beckett rejects the received logic of form and
conventional structure." Critically comment.
6. Discuss the Romantic and Modernist conceptions
of character in the presentation of Jimmy as the
play's protagonist. 20
OR
Discuss the formulation of Elizabethan tragedy
with reference to the prescribed plays.
7. Write short notes on any two of the
following in not more than 200 words each : 2x10=20
(a) Hamlet's Soliloquies
(b) Romantic Comedy
(c) Higgins
(d) The concept of character in modern drama
MEG-2 3 21,000
I MEG-21 No. of Printed Pages : 4
MASTER'S DEGREE PROGRAMME IN
ENGLISH
Term-End Examination
06401 December, 2017
MEG-2 : BRITISH DRAMA
Time : 3 hours Maximum Marks : 100
Note : Answer question no. 1, which is compulsory.
Attempt any four of the remaining questions. All
questions carry equal marks.
1. Critically comment on any four of the following
passages with reference to the context, in not
more than 150 words each : 4x5=20
(a) But you have no idea how frightfully
interesting it is to take a human being and
change her into a quite different human being
by creating a new speech for her.
(b) ... the spring, the summer,
The childing autumn, angry winter, change
Their wonted liveries, and the mazed world,
By their increase, now knows not
which is which.
And this same progeny of evils comes
From our debate, from our dissension;
We are the parents and original.
MEG-2 1 P.T.O.
(c) 0, that this too too solid flesh would melt
Thaw and resolve itself into a dew !
Or that the Everlasting had not fix'd
His canon `gainst self-slaughter !
(d) Why then, belike we must sin, and so
consequently die.
Ay, we must die an everlasting death.
What doctrine call you this, Che sera, sera,
"What will be shall be" ? Divinity, adieu !
(e) They know and do not know, what is it to
act or suffer
They know and do not know that action
is suffering
And suffering is action.
2. "The issues with which he chose to deal were
among the most deeply ingrained preoccupations
of his age." Discuss with reference to Ben
Jonson's The Alchemist. 20
OR
Tragic irresolution is the dramatic strength of
Doctor Faustus. Discuss.
MEG-2 2
3. Critically comment on Eliot's Christian
perspective with reference to Murder in the
Cathedral. 20
OR
Discuss A Midsummer Night's Dream as a
romantic comedy.
4. Discuss the play-within-the-play and metaphors
of theatre with reference to the plot of Hamlet. 20
OR
Discuss the role of J.M. Synge in the Irish
Dramatic Movement with special reference to The
Playboy of the Western World.
5. Discuss Samuel Beckett's Waiting for Godot as an
existentialist play. 20
OR
Was Shaw a romantic ? Is the element of romance
in Pygmalion in harmony with the ideology of
Bernard Shaw.
MEG-2 3 P.T.O.
6. Characters in Look Back in Anger are enmeshed
in class and gender issues. Discuss. 20
OR
Examine the concept of the hero in modern drama
with reference to the prescribed plays.
7. Write short notes on any two of the
following in not more than 200 words each : 2x10=20
(a) The Theatre of the Absurd
(b) Claudius
(c) The Comedy of Humours
(d) Mephistophilis
MEG-2 4 21,000
I MEG-21 No. of Printed Pages : 3
MASTER'S DEGREE PROGRAMME IN
ENGLISH
Term-End Examination
June, 2018 16676
MEG-2 : BRITISH. DRAMA
Time : 3 hours Maximum Marks : 100
Note : Answer question no. 1, which is compulsory.
Attempt any four from the remaining questions. All
questions carry equal marks.
1. Critically comment on any four of the following
passages with reference to the context, in not
more than 150 words each : 4x5=20
(a) Have you no modesty, no maiden shame,
No touch of bashfulness ? What, will you
tear. Impatient answers from my gentle
tongue ?
(b) 'Tis the secret
Of nature naturized 'gainst all infections,
Cures all diseases coming of all causes;
A month's grief in a day; a year's in twelve;
(c) Tush, these are trifles and mere old wives'
tales.
(d) But, you see, I was the only one who cared.
His family were embarrassed by the whole
business. Embarrassed and irritated.
(e) Suppose we repented "Our being born".
MEG-2 1 P.T.O.
2. What aspects of Jacobean society are depicted in
Ben Jonson's The Alchemist ? 20
OR
Critically analyze Dr. Faustus as a Renaissance
tragedy.
3. Discuss the theme of martyrdom in Murder in the
Cathedral. 20
OR
Analyze Shakespeare's treatment of women in
A Midsummer Night's Dream.
4. Revenge is the central theme of Hamlet. Discuss. 20
OR
Discuss the farcical elements in The Playboy of
the Western World.
5. What are the social implications of the different
modes of English speech ? Answer with reference
to Shaw's Pygmalion. 20
OR
Critically analyze Lucky's speech in Waiting for
Godot.
MEG-2 2
6. Discuss Look Back in Anger in the context of the
angry young man'. . 20
OR
What do you understand by the 'modernity' of
Elizabethan tragedy ?
7. Write short notes on any two of the
following in not more than 200 words each : 2x10=20
(a) Hermia
(b) Eliot's 'The Three Voices of Poetry'
(c) Widow Quin
(d) Horatio
MEG-2 3 26,000
No. of Printed Pages : 4 I MEG-21
MASTER'S DEGREE PROGRAMME IN
ENGLISH
Term-End Examination
D 1. S? 1. December, 2018
MEG-2 : BRITISH DRAMA
Time : 3 hours Maximum Marks : 100
Note : Answer question no. 1, which is compulsory and
any four from the remaining questions. All
questions carry equal marks.
1. Critically comment on any four of the following
passages with reference to the context, in not
more than 150 words each : 4x5=20
(a) To die, to sleep;
To sleep : perchance to dream :
ay, there's the rub.
(b) Homo fuge! Whither should I fly ?
If unto God, he'll throw me down to hell.
MEG-2 1 P.T.O.
(c) There are cruel steel traps lying about
everywhere, just waiting for rather mad,
slightly satanic and very timid little
animals. Right ?
(d) They know and not know,
what it is to act or suffer
They know and not know, that
action is suffering
And suffering is action.
(e) 0, good sir!
There must be a world of ceremonies pass,
you must be bathed, and fumigated, first;
2. Discuss the illusion of reality with regard to
alchemy as the central motif in The Alchemist. 20
OR
Dr. Faustus attempts to depart from a comedy of
evil to become a tragedy of human heroism. Do
you agree ? Give a reasoned answer.
MEG-2 2
3. Comment on the significance of the fourth
temptation in Murder in the Cathedral. 20
OR
How does Shakespeare alter the romantic comedy
formula in A Midsummer Night's Dream ?
4. "Claudius rather than Hamlet is the protagonist
of the play." Do you agree ? 20
OR
"The Playboy of the Western World is a play about
the instinctive desire to rebel against tradition."
Discuss.
5. Analyse the comic conventions in Pygmalion. 20
OR
Comment on the structure of Waiting for Godot.
6. What is the significance of the title of the play
Look Back in Anger ? 20
OR
Critically examine the role of the Renaissance in
the growth of Elizabethan drama.
MEG-2 3 R T.O.
7. Write short notes on any two of the
following in not more than 200 words each : 2x10=20
(a) Morality Play
(b) Mephistophilis
(c) Bottom
(d) Colonel Pickering
MEG-2 4 18,500
No. of Printed Pages : 4 I MEG-21
.MASTER'S DEGREE PROGRAM:ME IN
ENGLISH
Term-End Examination
•-`14 F t
June, 2019
MEG-2 : BRITISH DRAMA
Time : 3 hours Maximum Marks : 100
Note : Answer question no. 1, which is compulsory and
any four from the remaining questions. All
questions carry equal marks.
1. Critically comment on any four of the following
passages with reference to the context, in not
more than 150 words each : 4x5=20
(a) To be, or not to be : That is the question —
Whether %is nobler in the mind to suffer
The slings and arrows of outrageous
fortune,
Or to take up against a sea of
troubles,
And, by opposing, end them ? To die, to
sleep —
No more ...
MEG-2 1 P.T.O.
(b) But you have no idea how frightfully
interesting it is to take a human being and
change her into a quite different human being
by creating a new speech for her. It's filling up
the deepest gulf that separates class from class
and soul from soul.
(c) Ho11 hath no limits, nor is circumscribed
In one self-place; for where we are is hell,
And where hell is, there must we ever be :
(d) Have you not done tormenting me with your
accursed time ! ... One day, is that not enough
for you, one day he went dumb ... one day we
are born, one day we shall die, the same day,
the same second ...
(e) If we shadows have offended,
Think but this, and all is mended,
That you have but slumbered here
'While these visions did appear.
And this weak and idle theme,
No more yielding but a dream,
Gentles, do not reprehend;
If you pardon, we will mend :
MEG-2 2
2. Ben Jonson's The Alchemist attempts to capture
the spirit of his age. Comment. 20
OR
Discuss Dr. Faustus as a tragedy.
3. Examine critically the idea of martyrdom in
Eliot's Murder in the Cathedral. 20
OR
"Celebrating love within the institution of
marriage." Is it an apt description of
A Midsummer Night's Dream ? Discuss.
4. Discuss Hamlet as a revenge play. 20
OR
"The Playboy of the Western World is a play about
rebellion. Comment.
5. Critically comment on the character of Eliza in
Pygmalion. 20
OR
Discuss Waiting for Godot as a play that presents
the existentialist crisis of modem man.
MEG-2 3 P.T.O.
6. Gender and class conflict are central to Look Back
in Anger. Discuss. 20
OR
Elizabethan tragedy focuses on character, not
circumstance. Comment.
7. Write short notes on any two of the
following in not more than 200 words each : 2x10=20
(a) The Split Personality of Doctor Faustus
(b) Experimentation in Modern Drama
(c) The Theatre of the Absurd
(d) Comic Spirit in Modern Drama
MEG-2 4 23,000
MEG-21 No. of Printed Pages : 4
MASTER'S DEGREE PROGRAMME IN
ENGLISH
-72971 Term-End Examination
December, 2019
MEG-2 : BRITISH DRAMA
Time : 3 hours Maximum Marks : 100
Note : Answer question no. 1, which is compulsory and
attempt any four from the remaining questions. All
questions carry equal marks.
1.. Critically comment on any four of the following
passages, with reference to the context, in about
150 words each : 4x5=20
(a) 0 that this too, too solid flesh would melt,
Thaw, and resolve itself into a dew,
Or that the Everlasting had not fix'd
His canon 'gainst self-slaughter !
(b) I shall make a duchess of this
draggle-tailed guttersnipe.
RAFr.-2 1 P T 0
(c) Now, Faustus, must thou needs be damn'd ?
Canst thou not be sav'd ?
Despair in God, and trust in Beelzebub.
Now go not backward, Faustus; be resolute :
Why waverest thou ?
(d) They know and do not know, what it is to
act or suffer.
They know and do not know, that action is
suffering
And suffering is action. Neither does the
actor suffer
Nor the patient act. But both are fixed ...
(e) Will you believe antiquity ? Records ?
I'll shew you a book, where Moses and his
sister,
And Solomon have written of the art;
Ay, and a treatise penn'd by Adam —
2. Discuss the differences between Shakespearean
comedy and Jonsonian comedy with reference to
the prescribed plays in your course. 20
OR
Critically examine Doctor Faustus as a tragedy of
human heroism.
3. Discuss the notions of martyrdom and temptation
with reference to modern times in Eliot's Murder
in the Cathedral. 20
OR
Comment on the use of the play within the play
in A Midsummer Night's Dream.
4. Discuss the significance of Hamlet's soliloquies
with reference to the soul-searching he
undergoes. 20
OR
The Playboy of the Western World illustrates the
changed concept of comedy in the modern world.
Discuss.
5. Pygmalion examines class and gender difference
in a comic perspective. Critically comment. 20
OR
Samuel Beckett's Waiting for Godot presents
before us the existentialist crisis of modern man.
Comment.
iAtra D T fl
6. Critically examine the concept of the angry young
man with reference to the character of Jimmy in
Look Back in Anger. 20
OR
Examine the concept of tragic flaw with reference
to Elizabethan tragedy.
7. Write short notes on any two of the
following in about 200 words each : 2x10=20
(a) Laertes-Hamlet Clash
(b) Renaissance Comedy
(c) Class Conflict in Shaw's Drama
(d) Poetic Drama
RAF0.2)
MEG-02 No. of Printed Pages : 4
MASTER'S DEGREE PROGRAMME
IN ENGLISH
Term-End Examination
MEG-02 : BRITISH DRAMA
Time : 3 Hours] [Maximum : Marks : 100
Note: Answer question no. 1 which is compulsory.
Answer any four from the remaining questions.
All questions carry equal marks.
1. Critically comment on any four of the following
passages with reference to the context, in not
more than 150 words each: 4X5=20
) 'Tis now the very witching time of night,
When churchyards yawn and hell
Itself breathes out contagion to this world.
Now could I drink hot blood, and do
Such bitter business as the bitter day
Would quake to look on
MEG-02/ .
(b) Now, Faustus, must
Thou needs be damned and canst thou not
be saved
Despair in God, and trust in Belzebub:
Now go not backward : no, Faustus be
resolute.
(c) One day, when I'm not longer spending my
days running a sweet-stall, I may write a book
about us all It'll be recollected in fire and
blood. My blood.
(d) We have only to conquer
Now, by suffering. This is the easier victory.
Now is the triumph of the cross.
(e) Women upset everything. When you let them
into your life, you find that the woman is
driving at one thing and you're driving at
another.
2. The Alchemist is a satire on human follies and
foibles. Discuss. 20
OR
Examine Doctor Faustus as a tragedy of the
aspirational Renaissance man.
(2) MEG-02/ 5700
Comment on the nature of the four temptations
that Beckett confronts.
OR
The Mechanicals' play is inextricably related to
the main plot of A Midsummer Night's Dream.
Illustrate.
4. How do Hamlet's soliloquies contribute to the
play? 20
OR
Discuss The Playboy of the Western World as
an extravagant comedy.
5. Critically comment on the verbal comedy in
Pygmalion.
OR
Discuss the salient features of Elizabethan
tragedy with examples.
6. How do the characters in Look Back in Anger
function as sites for a discussion of class and
gender issues?
OR
Discuss Waiting for Godot as an Absurd play.
MEG-02/ 5700 (3 ) P.T.O.
Write short notes on any two of the following in
about 200 words each. 2x10=20
(a) Religious beginning of Elizabethan drama
(b) The theatre of the Absurd
(c) The element of fantasy in A Mid Summer's
Night Dream.
(d) Characterization in the comedy of Humours.
-X-
(4) MEG-02/ 5700
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